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DIGITAL AMPLIFIER SYSTEMS |
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You have to make sure the mutes are off. Red lights mean mutes are on so
push the mute button and press the cancel button for the appropriate
fields input and output. When the red lights are off, you are ready to roll.
Input A (and B if you are running analog inputs) is reduced in gain by 10dB to keep the output levels compatible with a consumer product input, in this case the Panasonic XR45. You will have to experiment with this to get it right for your system. The recommended midbass crossover is a 12dB Butterworth (But 12) at 957Hz and the Ribbon is rolled in with a 6 dB Butterworth (but 6) at 2.11kHz. The rising output of the Ribbon at lower frequencies is the reason for this higher electrical crossover. The acoustic crossover is effectively around 1kHz. The midbasses have their gain reduced 3.5dB to match the sensitivity level of the Ribbon. Also, there are three filters used. The first boosts the bass output for a total of 5 dB starting at 53Hz. The second takes a bump out at 581Hz and the third takes a bump out at 1.07kHz. The phase for the Ribbon has been shifted 50 degrees. These filters and settings were determined by testing in our big 23x22 foot room, (35x22 with 10' ceilings when you add in our large openings) and your room will almost certainly differ greatly. You can experiment by turning these filters on and of one at a time or all at the same time. You can also dial in different frequencies and boost and cut levels and hear the results in real time. You can add filters to the point where you run out of processing power. You currently have 26% left which will allow quite a few extra filters to take care of most nasty nodes in your listening room. |
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