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Full consumer reviews of Newform Research Ribbon Loudspeakers are available at AudioReview.com.
Bound for Sound, #4A, '94 (R8-2) Bob Bottman, USA |
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Because of the R8-2's clarity, I found myself quite satisfied to listen at lower levels.
These more than any other speaker in recent memory, gave me a clear, non-fatiguing,
picture window view of the music, allowing the listening experience to take on a more
intimate quality. The fine detail of the ribbons was addictive.
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The Newform R8-2s are musically revealing and forgiving at the same time, able to
gracefully, but unequivocally, display the weak links in an audio chain. And their
soundstage illusion is near state-of-the-art period. At their (list) price point, I
believe the R8-2s are one of audio's best buys.
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The Inner Ear Vol 5, #4 (R8-2) Ernie Fisher, Canada |
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These speakers are capable of delivering astounding precision at all volume levels. As
expected, the highs are crystal clear. As not expected (for a Ribbon) there isn't any
sort of ringing or stridency in those upper regions. The midrange too, is very clear,
very detailed and breathy. The Newforms, when set up in the proper manor, offer a
stunning image.
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They do sound stunningly high end. They are one of those rare finds, sold at a price
that must be considered a song and dance. You are well advised to look at these
loudspeakers. Don't let the price dissuade you.
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Draft for Hi-Fi News, 1994 (R8-1) Chris Beeching, England |
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The Newforms performed superbly, with a real weighty deep full pedal performance and
the Ribbons complementing by keeping the strings smooth, yet detailed and well focused.
The acoustic was well presented with a lot of air and space. The Ribbons do have this
ability to recreate the acoustic with uncanny reality. Must be the nest best thing to
having Charlie Parker in your living room. They must be one of the most musical speakers
on the market today.
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In conclusion, it's such a good speaker that it's price of around 1800 pounds seems
far too little. Their small footprint makes them ideal even in smaller rooms and
there's little if anything to touch them in the sub-2000 pound bracket. |

Audio Ideas Guide Fall, '93 (R8-1) Andrew Marshall, Canada |
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Looking at the measurements, we see one of the flattest speakers I have ever measured,
with superb dispersion over a 60 degree horizontal window. The neutrality of the R8-1
could be heard on choral and female voice tests as well as with orchestral music.
Strings had a nice sheen without sounding overly bright, and the middle strings,
violas and cellos, were heard with appropriate warmth and weight. Pop vocalists also
sounded extremely neutral and almost in the room, the clarity of subtle inflections
always heard.
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I listened to the R8-1 for many hours and never felt a sense of listening fatigue.
It is an accomplishment for any company to produce a speaker this good, especially at
a relatively reasonably price for high end sound. |

Klang & Ton, 1/95 (R8-1) Timmermann, Germany |
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...even with a crossover of 1kHz, there is a fantastic and stable soundstage in the
making. On or off axis, the Ribbon shines with the best output, it deserves to be
coupled with the finest mid-bass.
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In frequency response and soundstage, it overshadowed everything that has so far been
offered.
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South African Audio Soc. 1994 newsletter (R8-1)
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The ribbon speakers themselves gave plenty of depth and were extremely smooth and laid
back. No harshness at all, rather an ultra polite sound with plenty of detail, especially
in orchestral music.
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The Inner Ear Vol 6, #2 1994 (R8-1) Ernie Fisher, Canada |
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The R8-1s basically sound the same as their larger siblings, the R8-2. The same precise,
clear and succinct highs, the same beautifully clear midrange and an uncanny tonal
balance, make these speakers exceptional. The almost electrostatic like revealing
quality is nothing short of astounding, which places the Newforms into the high-end
(not high price) category of loudspeakers.
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The image presented to listeners by the R8-1s is breathtaking. With the R8-1, Newform
Research has created what we consider to be audiophile loudspeakers for the budget
conscious consumer.
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The Absolute Sound, #102, 1995 (R8-1) Aaron Shatzman, USA |
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Aaron liked the R8-1s a great deal but TAS has a policy of not allowing quotes for
their reviews to appear with quotes from other publications. Please refer to your back
issues for the complete review. |
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Audio Observatory, Fall '95 (R8-1-30) ShaneTenace, USA |
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Upon first listen, I was impressed with a huge, rich and tactile sound which emanated
from the R8-1-30s. On "Behold Man", a track from Reference Recording's Testament the
power of the choir was well conveyed. I'll go on line and say that in this respect,
the Newforms rival anything on the market (megadollar speakers included). What about
those Ribbons? Pretty sweet actually. Through the R8-1-30s the individual (brush
strokes by drummer Mike Buck) were easily followed. This sort of essentially natural
presentation is highly prized.
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In the end, I was pretty impressed by the Newforms. Their soundstaging alone places it
beyond the performance of most competitors. Add to that the weighty bass response,
excellent tonality, coherent, natural highs, overall sense of balance and you are left
with a loudspeaker that is an absolute steal at $1236.
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Sensible Sound, Summer '95 (R8-1-30) Tim Parker, USA |
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The clarity of the Ribbons was immediately noticeable. The treble is clear and crisp
and remarkably undirectional. The R8-1-30s imaged superbly with both audio and video
sources. These speakers are great for videos with 2 or 3 people watching, especially
when the centre channel is turned off. With my video system's subwoofers cutout, the
train wreck from "The Fugitive" was still visceral. Jazz is sublime, as is small
orchestral groups. Each instrument is placed just so, and as clear as a bell.
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The bottom line? For their price, these are very competitive loudspeakers and worth a
listen if you like jazz, classical and non-pounding rock. They are also a superb video
speaker and compare very favourably with speakers costing many times their price.
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Audio Ideas Guide Fall '95 (Module 15) Andrew Marshall, Canada |
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What was heard then was the same striking openness and clarity I've remembered from
previous Newform ribbons. My listening notes say "sparkle without sizzle." Timbral
accuracy was joined by exceptional imaging, the line-source ribbon allowing precise
instrumental placement in both horizontal and front to back planes.
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In sum, this is a very good compact system. The combination of exceptional bass quality
and reach (Sub 1) with ribbon sweetness and speed makes for a speaker system with very
special qualities. |

Secrets of Home Theater and High Fidelity, April 1997 (R8-1-30) John Johnson |
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Newform have come up with their own design, giving the quick transient response of
light weight Ribbons, but not the difficult-to-place problems that dipoles have. There
was good side-to-side dispersion, better than some other ribbons. Of course, the others
are dipoles, so this isn't a fair comparison. The bass was very tight. We could play
the system rather loud and and the woofer did not break up. The mid-bass was natural
and clean.
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Since the Newforms have a large soundstage, but without the placement problems of
regular dipole ribbons, they make for a nice front left/right for home theater
situations (nice for a rear surround for that matter with DD and DTS). A big sound
stage can make quite a difference with movie sound tracks. Also, because the Newforms
have good lateral dispersion, the movie viewer gets that soundstage even when sitting
off axis. Quick transients, no dipolar placement problems, ... nice sound stage. |

Soundstage, April 1997 (R8-1-30) Doug Schneider |
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This ribbon's sound is exceptionally transparent, revealing, with wonderful body and
weight. There is an incredible amount of detail and a fabulous sense of transparency.
At the same time, this ribbon retains its composure and unlike other ribbons I have
heard is never, never, never harsh.
If it sounds as though I am raving, it is because I am. The ribbon has extremely good
horizontal dispersion resulting in good off-axis performance. As well, they handle a
lot of power and are capable of producing near ear-splitting volume levels. Where many
speakers begin to choke, the Newforms begin to sing. ... the R8-1-30 captures and
conveys the "soul" of the music. As well, with the detailed yet non-fatiguing nature of
this speaker, they were ideal for overall voice reproduction. The R8-1-30s are some of
the best speakers for home theatre that I can think of at anywhere near this price.
The result was thrilling. Furthermore, I felt no need for a subwoofer at any time.
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Starry Eyed ... The R8-1-30 offers aspects of performance that outclass many speakers
near this price. As previously noted, the high level of performance is mainly due to
the ribbon unit. Within the ribbon's range, the speaker compares to other speakers
costing upward of two, three, or four thousand dollars. The performance in the lower
frequencies is very good, but not outstanding in the same way and is more in line with
speakers selling in the sub-$2000 range. Taken as an overall package, the R8-1-30 is a
star performer. At $1236 the R8-1-30 represents superb musical value and is simply a
steal for someone contemplating setting up an outstanding music/home theatre system. |

Audio Ideas Guide Spring 1997 (R8-1-30 x4) Andrew Marshall, Canada |
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The R8-1-30 achieves a superb +/- 2dB tolerance between 40 and 10,000 Hz. The 30"
Ribbon is as well a behaved treble reproducer as I have seen. A pair of these speakers
can form the acoustic end of a very fine high end audio system, and a quartet, well,
they make up as good a home theatre system as I've ever heard. These speakers will
handle power like few others, the ribbon having tremendous dynamics and no breakup
modes whatsoever. Because of excellent lateral dispersion, the individual speakers
tend to disappear, but very exact imaging is provided by each line source. The other
aspect of the Newform ribbon that should be emphasized is its speed: the dynamic
capabilities are lead by extraordinary transient capacity.
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I've lived with the Newform quartet now for a couple of months, and have come to
appreciate their honesty; next to them most other home theatre systems are decidedly
coloured sonically. It took living with and then measuring the R8-1-30 for me to
objectively realize how really good these speakers are and how superbly well suited
they are for high end home theatre systems. Simply put, reference quality. |

Soundstage Montreal Audio Show Report (No Holds Barred) Doug Schneider |
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The Newform ribbon is one of the finest midrange/tweeter ribbon drivers I have ever
heard. It is exceptionally detailed, yet smooth, with excellent dispersion
characteristics. The NHB sound at the show was very detailed with an excellent
soundstage. Newform Research deal only factory direct which makes their speaker prices
very competitive.
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John had things very well balanced and the system was sounding very natural with the
ribbons, dynamic modules and subs integrating seamlessly. Speaker placement must be a
breeze with these because I was getting good imaging from just about anywhere I stood. |

Audioland March 1997, Hong Kong
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In short, comparing with many other speakers used in Audio Land, the high frequency by
Newform Ribbons is much better in producing tender and natural sound and greater detail. I
was so absorbed in the human voice I went through all 15 cuts at one time. Examining with
great care, I found that the high, mid and low frequency were totally balanced. It sounded
gorgeous beyond my expectation.
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At the beginning, I placed the Ribbons in the normal position in our listening room and
I could focus the human voice and 3D soundstage with great ease. I pulled the speakers
apart to adjust the size of the soundstage. That was all I did. It was a piece of cake
that the 3D soundstage appeared in front of me like a miracle. |

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